The Journey From Refugee to National Cultural Treasure

Members of Vow 2 Praise, a popular Liberian vocal ensemble.
MONROVIA, Liberia
The story of their all-male singing ensemble dates back some 15 years, to the days when they were teenagers living in the squalor of an overcrowded refugee camp in Guinea that housed tens of thousands of Liberians during the country’s long civil conflict. But in the years that followed, the singing group Vow 2 Praise rose to heights they never fathomed, ultimately singing for presidents and being voted in one Nigerian competition as the best gospel group.
The nine members of Vow 2 Praise come from five different groups among the wide array of ethnic tribes in Liberia. They sing with a tightness of harmony and precision in rhythm that is utterly spellbinding. They interact with one another with a closeness that makes them seem more like siblings than choral colleagues. And in delivering their rapturously sonorous songs, they seek to offer an even more essential message to Liberia and to the world.
“Our main intent is to show that there can be unity in Liberia,” said Clarence N. Cooper, a tenor who is also the spokesman for the group. “We want to preach the message of oneness. We want people, especially young people, to know that they, too, have God-giving talents that need to be discovered and used to make a contribution to society.”
The group specializes in acappella religious music, with much of their repertoire being traditional Liberian selections in the country’s indigenous languages. They also sing traditional American-style gospel songs, with those being in English. They have sung at venues raging from festivals in Monrovia to gospel concerts in Nigeria, increasingly being lauded as examples of the finest of Liberia’s cultural resources.
“They represent some of the very best in Liberian music and I think their music needs to be discovered and appreciated by a far wider audience outside of the country,” said Samson T. Tarpeh, the executive director of the Agape National Academy of Music in Monrovia. “They are doing music that reflects the beauty of what we have in this country.”
Yet, theirs is also a story steeped in the pain of Liberia’s brutal civil war, a conflict that left more than 250,000 Liberians killed. For years, thousands of displaced Liberians sought refuge in neighboring countries, from the Ivory Coast and Sierra Leone and Guinea. Housing conditions were often deplorable and living conditions were often unsanitary. Schools were scarce. Food was rationed with people standing in line for hours for a meal.
On one afternoon in 1995, Saykeh Glay, the man who would one day become the group’s leader, stood in line for a meal at a camp in Jeake, in Guinea. “He felt so dehumanized that he wanted to sing a song that would revive the soul,” Mr. Cooper said. “And when he started singing, something got a hold of us, we. One guy started joining in, singing tenor. Another came in and started singing bass. It drew a lot of people to us. They were people who had lost their families, people who were brokenhearted. When we got done singing, they told us they wanted more. That’s how we started.”
The conditions in the camp, Mr. Cooper recalled, were “so completely terrible,” adding, “there were so many sicknesses and diseases there. There were rations for food, no schools to speak of. We were just there because we needed shelter, just living by the grace of God.”
While in Guinea, the group started singing not just in the camp but also at outside churches, schools and in other refugee communities. They came back to Liberia and continued to sing together. Within a few years, they looked for other singing opportunities and moved to Nigeria, where they started to gain a following. It was there that the group became well known in the circles of gospel music. They won various competitions and were asked to sing at everything from churches to presidential events.
But after four years in Nigeria, the founder of the group became ill and another became got sick and died. “After he died, our parents, who were all in Liberia, wanted us back home. Also, we were not in school when we were living in Nigeria.
Since they returned to Liberia in 2004, many of the group’s members got scholarships and financial assistance to go to college. In the last few years, two members of the group received college degrees and another five are on target to graduate next year. Over the same period, the group formed a foundation to raise funds for tuition, fees, uniforms and books for elementary and secondary school students.
“We want to tell the young people, especially the teenagers who feel that things are not working out well for them, that there is something within them that they can tap into,” Mr. Cooper said. “God has embedded in them qualities that will allow them to be a blessing to the world.”
Beyond that, Mr. Cooper and others in the group insist, they symbolize what the Liberia of the future might be, when people from the various ethnic tribes focus more on their commonality than on their differences.
“We are from a lot of different groups,” he said. “We are Bassa, Grebo, Kpelle, Kru and Mano. But we are brothers. We sometimes we argue. But we argue like brothers. More than anything, we love each other as brothers. Our message, I think, is that this is how Liberia should be.”
By Jonathan P. Hicks













